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There's even a shot lifted directly from the book, where Susie is taking pictures in her yard and she catches Abigail with a strange far away look on her face. I think he might just be saving face because he knows that fans of the novel were not happy with this change. On the special features disc, there is a moment of a deleted scene between Abigail and Len and the explanation from Peter Jackson was that they raced around trying to film these scenes but they didn't devote much time to it, and there wasn't much to those scenes at all It seems possible that could be accurate, but by Peter Jackson's body language, I'm not sure I buy it. Those who have read the book know that Abigail grows distant from her family as a way to escape the horror of losing her first born and she ends up having an affair with Len Fenerman (the policeman who has been assigned to the case of Susie Salmon's murder).

Speaking of Abigail, her character has a rather huge arc in the novel that's effectively neutered in the final cut. I took a look through the second disk of the blu-ray copy I've had and, I think, from what I gathered, the bracelet was supposed to represent every year of Susie's life, and that missing scene between Abigail and Susie would've helped clear that up. This scene never particularly made sense within the context of the film in it's current form. A scene with Susie and Abigail with the charm bracelet that's featured later on in the movie that is thrown into a small body of water, and Susie is shown, later, underwater in 'The In-Between'. I happened to do a cursory glance at a trailer after giving the film a re-watch and the book a re-read after many years of not having read or watched either and I noticed a scene that I didn't recognize. Growing up, I was a fan of the book, and I enjoyed the movie despite its flaws and its major omission of, in my opinion, crucial plot points from the book (particularly Rachel Weisz's character, Abigail Salmon). In the film's current form, I can see why this charge was leveled at it.

I believe the consensus was that Peter Jackson was too interested in Susie's 'In-Between' rather than the family that was disintegrating as a result of her death.

This might be a weird one and many people would probably consider this a nearly unfixable film the subject matter and the way this subject matter was handled was criticized heavily upon release. There are spoilers in this post for those who haven't read the book.

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